Red Glazed Ceramic Pitcher

Yellow Glazed Ceramic Pitcher

Orange Glazed Ceramic Pitcher

The Table lamp created in 1956 features a striking hourglass-shaped base crafted from patinated brass, topped with a conical opaline glass shade. The soft, matte white finish of the glass contrasts beautifully with the substantial solid brass base and a sculpted brass tray, creating an extravagant and harmonious composition.

This lamp stands as a masterful example of mid-century Italian modernism, embodying elegant geometry, luxurious materials, and the renowned artistry of Max Ingrand in both light and form. Manufactured by Fontana Arte.

Table Lamp-2

Arteluce edition, an iconic example of Italian mid-century modern lighting, the model 1006 floor lamp embodies Gino Sarfatti’s revolutionary approach to design. Crafted from painted steel, lacquered and chrome-plated metal, and translucent perspex, this lamp features a sleek vertical stem rising from a weighted base, supporting a diffused glass sphere that cast a soft, ambient glow.

The lamp’s minimalist aesthetic is coupled with a precise engineering philosophy, emphasizing the light source itself rather than traditional shades or ornamentation.

Floor  Lamp Model N˚ 1006

Pair of Écusson Bridge Chairs

Set of three nesting tables. Gilt iron frames with square-section legs and angle-iron aprons. Clear glass tops with silvered edges.

Créneaux Nesting Tables

With ten gilt-patinated metal arms. Model first presented at the Salon des Artistes Décorateurs in 1939.

Pair of Bouquet Wall Lights

Large lamp base with a rounded body and a long, slender cylindrical neck, made of glazed ceramic in shades of brown and ecru. Incised glazed signatures on the underside.

Table Lamp

Oak coffee table. The top, rectangular in form with broadly rounded edges reminiscent of a four-leaf clover, rests on four conical, slightly curved legs.

Trèfle Coffee Table

The stem of this lamp is composed of a single undulating tube in black-patinated wrought iron, interspersed with polished bronze spheres alternating between the upper and lower sections. A circular metal plate, painted in its original black finish, tops the stem and supports a central rod holding the lampshade (not original). The whole rests on a square base of black marble.

This lamp model is well documented in Jean Royère’s archives preserved at the Musée des Arts Décoratifs in Paris, as well as in period publications. It is notably visible on a coffee table in Jean Royère’s own apartment on rue du Faubourg Saint-Honoré, Paris, in a series of photographs dated 1946.

Pair of Ondulation Lamp

Pair of side tables with square top in varnished blond wood veneer, decorated with a diamond in stained wood marquetry. Removable legs in stained wood with square section.

Coffee Table

Square and rectangular top. Base with straight legs and side spacer. Publisher's label under the tops.

Pair of Sidetables

T02 Coffee Table

Coffee table with rectangular top. Decorated with a diamond in tinted wood marquetry. Remove base.

Mid-Century Europe